Artwork Analysis: the Mona Lisa by Leonardo da Vinci

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Visitors in front of the Mona Lisa at the Louvre in Paris

Despite being the world’s most famous painting, a profound skepticism still surrounds the woman with the enigmatic smile. Fascinating, intriguing and mysterious; the Mona Lisa is still discussed animatedly today, offering a vital insight into the Renaissance period. She is known and recognized worldwide, and admirers travel from every corner of the globe to see her. Thousands of eager eyes peruse the painting daily, absorbing da Vinci’s well-guarded masterpiece. To celebrate this iconic painting, Artsper’s taking you back in time to find out more about the woman behind the smile.

History

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American President, John F. Kennedy and Jackie Kennedy, receiving the Mona Lisa in 1962

The painting should have been completed in 1503, but the painter never let it out of his sight; never truly ‘finishing’ the painting until his death in 1519. When da Vinci left Italy to become King Francis I’s protégé, he took the Mona Lisa with him. Shortly before his death, da Vinci sold the painting to King Francis I for 4,000 gold coins, and it remained a part of the royal collections during the reign of Louis XIV. Before it joined the permanent collection of the Louvre, Napoleon Bonaparte requested the painting for Josephine’s personal apartments.

Like the majority of the museum’s pieces, the Mona Lisa had to be stored securely during the two World Wars. Louvre curator, René Huyghe, saved the painting from the Nazis by hiding it under his bed. Despite her tumultuous travels in previous years, André Malraux’s insisted the Mona Lisa leave Europe for the United States. There, she was received by President John F. Kennedy in 1962. Now too fragile to travel, the Mona Lisa remains in the Louvre where she is visited by thousands everyday.

The Model

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Lorenzo di Credi, Portrait of Caterina Sforza (1485-1490)

The Mona Lisa, like the rest of da Vinci’s paintings, was never signed or dated. When it comes to the identity of the mysterious Mona Lisa, it is Giorgio Vasari’s theory that is considered the most official. “Mona” derives from the Italian term “Monna” meaning “lady,” suggesting Lady Lisa to have been Lisa Gherdinini, the wife of Francesco Del Giocondo. It is widely believed that Giocondo, a cloth and silk merchant, commissioned the painting of his wife but never received it. However a widespread scepticism surrounds this theory. Many are doubtful of the story’s authenticity, and are still searching for the Mona Lisa’s true identity. Italian historian, Roberto Zapperi, accused Giorgio Vasari of inventing this claim, and that the Mona Lisa is actually a portrait of Pacifica Brandani. Brandani was the mistress of Giuliano de’ Medici, son of Lorenzo de’ Medici.

The identity of the Mona Lisa remains an animated discussion amongst art historians, and has even become the root of some more far-fetched theories. Some of the most creative claims suggest the Mona Lisa is a prostitute, da Vinci’s mother or even a man ( Leonardo’s apprentice, Salai). Others are convinced the Mona Lisa is a portrait of the 15th century Duchess of Forli, Catherine Sforza. Attempts have even been made to reconstruct Lisa Gherardini’s face from her skull, to then superimpose onto da Vinci’s portrait. Even though these attempts were unsuccessful, Lisa Gherardini was still formally identified as the Mona Lisa.

The Face

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Leonardo da Vinci, Mona Lisa (between 1505 and 1518)

Her profound gaze follows you around the room, and her expression is a source of fascination to many. After 500 years of watching her visitors, the Mona Lisa has maintained ironclad eye contact with all those who let themselves be absorbed by her mocking smile. Art historians have again proposed various theories for this fascination with the Mona Lisa. Medical hypotheses are the most common; where dental issues, facial paralysis and even thyroid problems are at the root of the Mona Lisa’s captivating aesthetic. The particularity of the Mona Lisa’s face could simply be due to fading colour over the centuries. One theory charmingly claimed the Mona Lisa’s facial expression is a result of entertainers who made the model laugh during the painting; allowing da Vinci to capture this unique and slightly stifled smile.

The Technique

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Close-up of the Mona Lisa, The Louvre

A major study at the beginning of the 21st century provided a better understanding of Leonardo da Vinci’s famous sfumato technique. “Sfumato” means “soft” in Italian, which accurately describes the delicate, hazy and slightly blurred effect of da Vinci’s painting. Subjects are coated in a cloud of carefully blended colour and subtle gradations. The Mona Lisa is made up of approximately twenty light layers of paint, some of which are extremely thin. As a result of this meticulous work, the surface of the painting shows absolutely no trace of brush strokes. Despite its epic age, the Mona Lisa is rather well preserved. However, infrared analyses have discovered that certain pigments and in particular Mona Lisa’s eyebrows, have faded over the centuries.

An Icon

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Beyoncé and Jay-Z filming in the Louvre

One morning in 1911, visitors were shocked to discover that the Mona Lisa had disappeared from the Louvre. News of the painting’s disappearance spread like wildfire, and fingers were quick to point at Pablo Picasso and his friend, Guillaume Apollinaire. However, the Mona Lisa was actually stolen by Vincenzo Peruggia, an Italian carpenter, who kept the painting on his kitchen table for two years before it was found. This had an astronomical impact on the public, all because Peruggia was under the false understanding that the Mona Lisa was one of the paintings stolen by the Napoleonic army. Throughout the history of art, her smile has inspired artists such as, Marcel Duchamp, Salvador Dali, Andy Warhol, Banksy and Okuda. Even today, a considerable number of contemporary artists still appropriate this mythical portrait in their works.

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Andy Warhol, Colored Mona Lisa

Leonardo da Vinci truly put his heart and soul into this iconic painting. Many claim the portrait is physically aging, as the left side of her face appears younger than the right. Perhaps this was intentional, and da Vinci’s mastery managed to convey a painting who would quite literally age with the hundreds of generations she observed.

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